29 from January. Exhibition at the Esperanza de Triana

Esperanza de Triana. Exposition “A dream forged and ceramics for Hope”, which will focus on the figure of José Recio del Rivero on schedule 11:00 a 14:00 hours and 17:00 a 21:00 hours. Commercial and Industrial Circulo de Sevilla located in Calle Sierpes, 65.

exposure, curated by Ignacio Sanchez Rico, It is one of the main cultural events organized to mark the fourth centenary of the merger of the Brotherhood of the Holy Christ of the Three Falls with Our Lady of Hope, occurred in 1616 and we will celebrate during the year 2016.

He 25 the yearbook January 2015 Brotherhood by Daniel Otero López.

16 a 29 from January. 11:00 a 21:00 hours

A DREAM OF FORGING AND CERAMICS FOR HOPE

Under the evocative title, Brotherhood of Hope of Triana offers visitors an overview of the history of the corporation “Early morning” since its reorganization in 1889 until 1963, year in which their career opportunities resumed from the Chapel of the Mariners. IV is celebrating the anniversary of the merger of the two sibships giving rise to the current cofradía penitencial; on the one hand the Three Falls of Christ, and another of the Virgen de la Esperanza and San Juan Evangelista, which, at the same time, He came from a fusion of two very old prior hermandades, being approved in 1616 the first rules as a single brotherhood with these three headlines. In this context this exhibition that opens the year in which the tenth edition is commemorated “Circle of Passion”.

This exhibition is the first monographic exhibition of the work of destacadísimo painter and ceramist José Recio del Rivero (Málaga 1874 – Sevilla 1957), who served as artistic director of the famous factory and Vera from Mensaque 1905 a 1946, and it is considered as one of the most important ornamental ceramic designers Sevillano regionalism. His life and work have so far not been the subject of careful study and that is the gap that is intended to complete this exhibition.

Recio is formed in Seville in the School of Fine Arts, Here he met the painter Manuel Rodríguez Pérez de Tudela who introduces him to the world of ceramics. In 1895 He begins work on the Mensaque Brother and Co. firm., there entering into friendship with José Gestoso, that connects with the artistic world that marked the embryo of regionalism, which will take part in its genesis.

Recio's work is commendable quality and quantity, the style of his designs comes from the Trianera ceramic sixteenth and seventeenth centuries. He was founder and professor of drawing and ceramics classes Queen Victoria school during the decades of the twenties and thirties of the twentieth century, and form to the following generations ceramists. He won several awards and decorations, as the gold medal and diploma of honor at the Exhibition of Valencia.

In this sample disclosed his role as designer of a new processional style for confraternity of Hope, in the period ranging from 1908 a 1957, years in which he served as artistic consultant of the brotherhood creating a dream of forging and ceramics for Hope. We like wire creation of regionalist style pottery version, who chairs the drawings of the goods created by him for this trianera Corporation, these designs will influence all parts made after the death of Recio, in a rare example of not very common artistic unity between the Sevillian brotherhoods.

THE INHERITANCE ROMÁNTICA

Brotherhood of Hope of Triana was reorganized in 1888, performing the following year his first penitential Cathedral from the church of San Jacinto and already in the early hours of Friday station.

The brotherhood takes, with the few belongings they had and slowly renovating, its outputs, corporate life and its identity, which it possessed throughout the nineteenth century until wilted and the Mariners Chapel desamortizó, maintaining the “sacred Conversation” in step pallium and the image of Christ accompanied only by the Cirineo.

The last decade of the nineteenth century, They are matching the first after the reorganization, You will be watching how a series of articles with which gradually consolidating brotherhood will premiere aesthetic and artistically, some very remarkable and made by the finest craftsmen of the time as Rodriguez Ojeda, who worked for the corporation in its first artistic stage, pre-twentieth century the most revolutionary and staff. Goldsmithing Justin de Guzman denied or step Baroque José Salvago end up passing a provisional aesthetic and other nineteenth-century anachronism to fully, which will both evolve and gradually lost in the early years of the twentieth century after the abolition of the accompaniment of San Juan and Magdalena in step pallium. All this implies “previous link” and context on which will start, already in 1909, artistic and heritage renewal of brotherhood by José Recio del Rivero.

Regionalist COFRADÍA

In the last five years of the nineteenth century , brotherhood romance breaks to release the first neobarroco passage of Holy Week in Seville. This fact happens the fire of the Virgin of Hope 1898, coinciding with the Spanish disaster after losing their last American colony. This represents a turning point within the brotherhood, since after the fire and subsequent restoration of the Virgin, the fervor to Hope will be reborn as the “Phoenix”, It is establishing itself as one of the principal devotions of the city in the first third of the twentieth century.

This leads to a resurgence process improvements crystallizing step pallium with José Recio del Rivero, artistic director of the ceramics factory and Vera Mensaque, reaching the brotherhood 1908, hand new big brother Manuel Rodriguez Alonso, the founder of the ceramics factory Mensaque Rodriguez and co season., which orders the design of a new garment output, which it is the key to understanding the aesthetic and artistic transformation cofradía.

Recio is inspired by the ornamentation of the pottery of the sixteenth and seventeenth centuries, they were recovering industrial trianeros hand José Gestoso and himself as director of Mensaque, transgressing these designs, along with forging, the passage of pallium and the insignias of courtship. This will be your new contribution, pieces that have become benchmark in the regional style, since it is the first time the trianeros ceramic motifs are used as a source of inspiration “total” in embroideries, certainly original contribution to the design cofrade, José Recio placing their own right as one of the greats in this field.

Choose a ceramist was not accidental as there is an intention of the governing board to provide the passage of the Virgin of an easily identifiable personality with the district of Triana. The fact that pottery was one of the main industrial activities in the neighborhood and that the union of ceramists formase part of the social body of the Brotherhood of Hope since its inception, convert style step in a landmark in the trianera identity.

THE LEGACY OF Bandaran

HE 15 December 1885, born priest don José Sebastián and Bandaran. He was baptized in the parish of the Magdalena, and at fourteen years old he entered the seminary of Santa María de Jesús, He is ordained by Cardinal Almaraz 1909. He was a doctor in the three faculties of Theology, canon of the Cathedral of Seville, synodal judge of the archbishopric, examiner of the clergy, ecclesiastical censor, Sevillana director of the Royal Academy of Letters, among other titles and awards. In the field confraternal, He was spiritual director of several of them: Saint Bernard, the silence, Montserrat, the museum, The Entombment, Passion, Vera-Cruz, Amparo and this of Hope of Triana.

Since 1923 He was linked to this trianera corporation exercising, as already indicated, spiritual and saturating in her address at a key moment in its history: Mariners Chapel was alienated from 1868, through various owners until the estate fell into the hands of Carlos Jorge Welton Child, who sold for a symbolic price to the brotherhood in 1939 through the mediation of the priest. Nevertheless, it was not until twenty years later when he blesses the reconstruction works, returning to her 1962. He died 21 November 1972, and brotherhood honored him with his gold medal posthumously in 1973. Following the required approval of ecclesiastical authority, he 28 March 1987 his remains were taken to the chapel and deposited at the feet of hope.

Bandaran was confessor to the royal family and Triana approached the Infanta Doña Luisa de Orléans,

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